WELCOME & REGISTRATION

dome_fall_web

In January of 2016, Shakespeare at Notre Dame (S@ND) is honored to host two major international conferences that will kick-off a year of worldwide celebrations commemorating the 400th anniversary of Shakespeare’s passing and the beginning of his legacy (1616-2016).

*Please be advised that a separate registration for each conference is required for those who would like to attend both.

Visit the Travel & Accommodations Page for more information on traveling to the University of Notre Dame and finding a hotel close to campus. This information is also available on the conference registration pages.


stalogo_stacked

The 26th Annual Shakespeare Theatre Association (STA) Conference

January 27-30, 2016

CONFERENCE SCHEDULE

Since 1991, the Shakespeare Theatre Association (STA) has served as a forum for the artistic, managerial, and educational leadership of theatres primarily involved in the production of the works of William Shakespeare.  Each year a STA member theatre hosts the annual conference, and as many as 200 artistic, managing, and education directors from Shakespeare companies around the world gather for four days of discussions and keynotes focused on current trends within the field of Shakespeare production.

During the week of January 27-30, the 26th annual STA conference will be hosted by Shakespeare at Notre Dame. As has become tradition, the conference will begin with a welcome reception at 6pm on Wednesday, January 27th.  The conference will conclude with a closing banquet on the evening of Saturday, January 30th.

Presented in tandem with the 2nd International Shakespeare in Prisons conference described below (which will serve as STA's practicum this year), S@ND plans to highlight the 400th anniversary of Shakespeare’s legacy by exploring future directions of Shakespearean production. Most notably we will highlight those individuals and companies that are utilizing Shakespeare in performance as a catalyst for positive social change (including representatives from model programs at The Public Theater, California Shakespeare Theater, Ten Thousand Things Theater Company, and Actors Shakespeare Project). And we will also be presenting much, much more!  

S@ND will also host a panel discussion on the recent trend of “live” broadcasts by such notable companies as Shakespeare’s Globe, the National Theatre, and Canada’s Stratford Festival moderated by our very own Peter Holland. An additional plenary presented by Michael Witmore, director of the Folger Shakespeare Library, will focus on the Folger's touring exhibition and history of Shakespeare’s 1623 First Folio (in residence at Notre Dame during the conference).  These panels and plenaries will be presented as a complement to the usual breakout sessions focused on current trends within the artistic, managing, and education components of Shakespeare producing organizations.  S@ND is also proud to present the Actors From The London Stage innovative production of A Midsummer Night's Dream for conference attendees on the evening of Friday, January 29th.

This page will be updated regularly as additional activities and sessions are confirmed.

REGISTER FOR THE STA CONFERENCE
 

*Please note that only current members of the Shakespeare Theatre Association are eligible to attend this conference.
 

  • Questions about membership? Please contact STA's Executive Director Patrick Flick at patrick@stahome.org.
     
  • Learn more about the Shakespeare Theatre Association. Visit the STA website at stahome.org.
     
  • For general inquiries about the conference please email Shakespeare at Notre Dame Executive Director Scott Jackson at scottjackson@nd.edu.
     

shakes_title_medium

Shakespeare in Prisons: In Practice

January 25-27, 2016

CONFERENCE SCHEDULE

In November 2013, S@ND was honored to host the world’s first international gathering of prison arts practitioners utilizing Shakespeare as a transformative process in their work with incarcerated populations.  Delegates attended from as far afield as Northern Ireland, Wales, England, South Africa, and Australia. Based on the success of the first conference it was determined that the conference be staged on a biennial basis. 

The second conference, staged immediately prior to the STA conference in January 2016 and serving in place of the traditional STA practicum, will focus on practical approaches for working with nontraditional and incarcerated populations and will be led by many of the most noted figures in the field; Curt Tofteland of Shakespeare Behind Bars, Tom Magill of the Educational Shakespeare Company in Belfast, Sabra Williams of the Actors’ Gang Prison Project in Los Angeles, Michelle Hensley of Ten Thousand Things Theater Company in Minneapolis, Meade Palidofsky of Storycatchers Theatre in Chicago, and Bill & Nancy Watson from Feast of Crispian: Shakespeare with Veterans, a therapeutic intervention for ongoing symptoms of trauma, poly-trauma, and reintegration issues in veterans based in Milwaukee, WI.

Each day of the conference will be divided into plenary and panel sessions in the morning and practical training sessions in the afternoon. More information on these four concurrent workshop sessions are available on the SIP:IP registration page and below. Activities will commence at 9:00am on Monday, January 25th, and will conclude with the STA welcome reception on the evening of Wednesday, January 27th.

REGISTER FOR SHAKESPEARE IN PRISONS: IN PRACTICE
(SOLD OUT! | Registration is now closed.)

 

*Please note that due to high anticipated enrollment, each of the four afternoon workshop sessions is limited to 25 attendees. Registrants will be asked to choose their two preferred sessions when enrolling. First come, first served. Registration is open to all, but preference will be given to members of the Shakespeare Theatre Association and individuals currently engaged in prison arts programs.
 


Shakespeare in Prisons: In Practice Track Descriptions

TRACK I:

esc_iogo_red

Including the Excluded: an award-winning pioneering drama and filmmaking project

The project builds on seven years of work with ex-prisoners, ex-offenders, and people with forensic mental health diagnosis. The focus of the work is on exploring the ghosts and turning points in an individual’s life that led to their mental breakdown and incarceration.

The goal of the project is to enable participants to acknowledge past trauma and transform it through reworking it in their own terms: learning how to write, act, direct, and record their experience on film. The process often leads participants to develop insight and critical distance on their experiences.

Tom Magill, Founder & Artistic Director Educational Shakespeare Company, will introduce the workshop, share some previous work on film, and lead participants through an experiential introduction to the process.


theactorsgang

TRACK II:

A Taste of The Work of The Actors' Gang Prison Project

The Actors' Gang is a California-based theatre company created in 1984 by Oscar-winning actor/director Tim Robbins. It is one of the most respected and revered theatre companies in the country, with one of the foremost Arts in Corrections programs.

The Actors’ Gang Prison Project was created by Sabra Williams in 2006 as a response to the high recidivism rates in California. This workshop will introduce you to the highly physical and emotional work that we use both as company training for our actors and to help transform the lives of the incarcerated, parolees, and those at-risk.

Sabra Williams, Founder & Director of the Actors’ Gang Prison Project, and Elliot LaPlante, Prison Project Associate, will facilitate the journey into the training of the Actors’ Gang.


storycatchers

TRACK III:

Story into Song: Transforming the Lives of Incarcerated Juveniles

This workshop will include writing a personal narrative based on a group writing prompt, creating scenes and songs from these narratives, and performing a staged reading collage.  Participants will learn how this process allows young people to examine their lives, choices, environments, and relationships, integrating past trauma into the present in order to imagine positive, healthy futures. This workshop will also include how to create a learning environment for juveniles that promotes safety, goal-setting, commitment, and positive risk-taking.

Meade Palidofsky, Artistic Director & Founder of Storycatchers Theatre, and Ozivell Ecford, Composer/Music Director, will lead participants through elements of Storycatchers' year-long process of turning individual personal narratives into a group musical production.


TRACK IV:

feast_of_crispian

The Bard and the Brain: The Power of Shakespearean Verse, Metaphor and the Mask of Character to Re-connect and Re-integrate the Emotional Self

This is an experiential introduction to the work of Feast of Crispian: Shakespeare with Veterans a therapeutic intervention for ongoing symptoms of trauma, poly-trauma, and reintegration issues in veterans. Those symptoms may include dissociation, anger, substance abuse, and feeling disconnected with others. In this workshop we will use a sampling of acting exercises that we use to elicit the physical sensations of emotion, and the techniques that allow participants to immediately speak the poetry and portray the characters in Shakespearian scenes. Through the mask of character, they can explore and experiment with big emotions without having to directly share their own stories. The rhyme, meter, and metaphor of Shakespeare’s dramatic poetry, fire sensory centers in the brain to gently guide them back to the life of their bodies once more. Voice, body, and emotions are combined with personal support from our experienced staff to give struggling veterans a chance to answer the difficult question of “who am I now”.

Nancy Smith-Watson is a trauma informed Somatic Body worker, professional actress and Founder and Director of Feast of Crispian. She has trained at Circle-In-The-Square’s professional acting training program in NYC and as a somatic therapist in Integrative Somatics and Hakomi Body Work in Boulder, CO and Austin, TX with Pat Odgen and Phil Del Prince

Bill Watson is an Associate Professor of Theatre at the University of Wisconsin-Milwaukee, a professional actor, director and Co-Founder of Feast of Crispian. Having taught acting in several universities for over 25 years, he trained at the University of Washington as an actor and in Hakomi Psychotherapy skills with Phil Del Prince in Austin, TX. He has appeared as an actor with such theatres as Shakespeare and Company, The Colorado Shakespeare Company, and The Seattle Repertory Theatre among many others.


Major Underwriters:

british_council_logo

mcmeel

The Henkels Lecture Fund, Institute for Scholarship in the Liberal Arts

Ryan Memorial Foundation

 

Presenting Sponsors:

nanovic_new    nea_logo_960

 

 

 

 

Benefactors:

Brian and Jeannelle Brady

Keough-Naughton Institute for Irish Studies

Deborah J. Loughrey Endowment for Excellence in Shakespeare Studies

Visit South Bend Mishawaka